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IDSA Boston Green Design Conference
Sat Nov 11th, 9:30 am – 4:30 pm at MassArt,
621 Huntington Ave., Boston, $40 online and $60 at the door for non-IDSA members,
$10 online and $20 at the door for students
The second annual Industrial Designers Society of America (IDSA) Boston Green
Design Conference is a one-day conference on sustainable design being held at
the Massachusetts College of Art on Saturday, November 11, 2006. This year’s
event continues our focus on showcasing sustainable design in practice. The
IDSA Boston Green Design Conference emphasizes sustainable design happening
now in many different forms and contexts. For more information, visit www.idsaboston.org
DESIGN2.0: Discussions on Design Strategy and Innovation
Wed Nov 15th, 1-6 pm at Vessel, 125 Kingston Street, Boston,
tickets are $125 until Oct 31st, $175 after, with a $25 discount for AIGA members
(not applicable to $50 student price)
As products and systems become smarter and more technologically imbued, the
mandate of the designer is thrown into question. If we can make anything, what
should we make? And if all of our activities have consequences — environmental,
economic and social — what are the opportunities for moving positively into
the future? How can we balance serving interests with setting agendas? Join
Core 77 for a panel discussion on the front lines. Panelists include: John Maeda
of the MIT Media Lab, Natalie Jeremijenko of UCSD and ITP, Bill Cockayne of
Change Research, and Jason Pearson of GreenBlue. For more information, visit www.core77.com/design2.0.
To receive the $25 AIGA member discount, email Erin Wells at communication@boston.aiga.org for the promotion code.
“Jan Tschichold, Designer: The Penguin Years” Lecture and Book Signing by Richard Doubleday
Thu Nov 16th, 7 pm at Barnes & Noble
at Boston University, 660 Beacon St., Boston, Free
Shortly after the end of the Second World War, and following the success of
it’s paperback re-branding, Penguin Books made the bold decision to completely
redesign its publications. Their subsequent choice of designer would not only
lead to the creation of an iconic brand but also a revolution in typographic
conventions. By the time Jan Tschichold (1902-1974) arrived at Penguin Books
in 1947, he had already established himself as an innovative and highly talented
typographer and graphic designer. His previous prolific design experience helped
him tackle the Herculean task presented to him: to create a uniform design that
could be applied to mass production. The resulting Penguin Composition Rules
and King penguin standard grids represent one aspect of the typographic revolution
that Tschichold masterminded at the publishing house. This lecture presents
an overview of the design contribution of Jan Tschichold to the Penguin imprint,
looking especially at his exploration of ideas of ‘classical’ typography. It
also serves to introduce Richard’s
book, Jan Tschichold, Designer: The Penguin Years, which explores the theme in
greater depth. For more information, visit http://www.bu.edu/
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